The song “Marrokkap Dung Matua” is one of the Batak songs that has a deep emotional meaning, often performed at traditional events or the last moment of respect for someone who has died. The title literally means “closing after Matua”, which in the context of the Batak culture describes the customary procession when someone who is considered “Matua” (already has complete descendants).
Not just a traditional song, “Marrokkap Dung Matua” is also a symbol of respect and separation full of prayer and respect. Playing it in the guitar requires the right technique and strong appreciation so that the sacred feel is still felt.
Guitar chord
The basic tone commonly used for this song is C is biggerBecause the tone is warm and easy to play. The following chords are generally:
Intro: G AM FG
G AM FG
Rappak Marsoban Hita Nadua
AM FG
I returned to school.
DM f
Shauties to Ho
DG
You will laugh at me
G AM FG
I will go to the countryside
AM FG
Come and destroy the agreement
DM FDG G7
But we were not married at that time
Reff:
CG
But when we get old we will get married
Am f
You can see again
DM FG G7 CG
What is hidden in our hearts so that we can unite it
CG
Da inang manodo I have done ito
Am f
I will be his son -in -law
DM FG G7 C
I didn’t want to guide me at that time
G AM FG
I counted it throughout the past
AM FG
Tears dripping because of joy
DM FDG
But at night I met you
Back to Reff
Marry song lyrics
(Example of Fragment Lyrics – Fill according to the original version)
I’m married to you, mother
May your heart pass from the sky
It can be yours at the base
I’m old, my sad mother
It means Marry’s song
The meaning of this song is closely related to the Batak custom. “Matua” means someone who is considered to have been complete in his life because he already has descendants who are married. This song illustrates gratitude, prayer, and respect for the deceased who has lived life to reach the “Matua” stage.
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The lyrics contain thanks and prayers that the Spirit of the deceased is accepted in heaven.
-
There is a sense of emotion as well as pride because the deceased left a complete family legacy.
-
This song is also a form of support for families left behind.
The recommended passage and strumming techniques
-
Intro with a quote
Use the P -I -M -A -M -I passage pattern to produce a nuance of emotion. -
Light strumming in the stanza
The pattern of down -down up -up -up down up with a slow tempo of around 70-75 bpm. -
Fine chord displacement
Focus on the F -G -C transition to make it feel smooth and uninterrupted. -
Harmony variations
Add AM7 or G/B to enrich harmony in the song climax.
Tips for bringing songs with appreciation
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Know the meaning of each lyrics before playing.
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Adjust the tempo so that it is not too fast, let each tone has space to “breathe”.
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Use Dynamics: Play gently at the beginning, then raise a little volume in the Reff.
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If you bring in a traditional event, make sure it matches the atmosphere and procedures that apply.
When this song is suitable to play
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Customary event of death in Batak culture.
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The last moment of respect for relatives or parents.
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As a form of guitar exercise to learn emotional nuances.
Conclusion
Guitar chord Simple enough to learn, but the main value lies in the appreciation and suitability of bringing songs in the customary context. This song is not just music, but part of a tradition that is full of meaning and respect.
Read other articles on this website to add a collection of guitar chords of the Batak song along with the techniques of playing well.
FAQ
1. Can this song be played by beginners?
Can, the chord is simple but requires smooth transition exercise.
2. Is this song only for traditional events?
No, but culturally most often played at traditional Batak death events.
3. Need to use Capo?
Capo can be used to adjust the tone to the singer vocal.
4. Can it be played with an electric guitar?
Can, use clean tone to maintain the original feel.
5. Can the lyrics of this song be changed?
It is not recommended, especially if it is presented in a traditional event, because the lyrics contain the meaning of tradition.
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